Galia Vaisman 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I tell stories in motion and build visual systems for brands.

Motion designer, illustrator and animator based in Tel Aviv. Hand-drawn animation for music, and visual systems for events, products and brands.

Watch the reel

Selected work

2022 — 2026
Hanna Oaknin · our third film together
Nemala — animated music video
Original illustration and animation — character development, spaces, story and every visual element — plus motion design, transitions and edit · 2026 Read the case study →
Hanna Oaknin
Indica-On — lyric video
Illustration, hand lettering, animation, edit and single cover
JDC Israel
DIGI-NEXT 2025 — conference visual system
Teasers, web and LinkedIn banners, animated presentation backgrounds that run with no cuts between slides, in-space projections and community popups · Shaping Tomorrow’s Public Sector, Netanya, 17 Nov 2025 Read the case study →
Hanna Oaknin
Dofek — hand-drawn music video
Ink illustration, animation and hand lettering · 2025
Old Jaffa
Shade installation — competition winner
Design and build, with Lena Krasnovsky · Kikar Kedumim
Treetoscope
Animated infographics for the product site
Explaining how sap flow is read inside a tree, and what the readings mean across an orchard. Illustration, infographics and animation · 2023
Boo Project
Planitana — illustration and animation
Art for a world Merav Shpitz and Tziki Laor built in music and words. I illustrated it first, before I was animating at all; years later, once I had moved into After Effects, I came back and gave it motion.
MySphera
Product film
A film for a platform connecting musicians to playlisters and influencers. I was handed a script and built the template system from it — then the interface sound effects (windows popping open, a message sent, a message landing), the transitions, the animation, and the final edit across every piece of material.

Self-initiated

experiments and worlds of my own

About

Everything I make starts the same way: I look at the place I live in long enough that it comes apart. It arrives as lines, forms and colours, and leaves as motion.

I draw by hand, then make the drawing move — and I build the system that holds it together across every format a project needs.

Trained as an architect, I think in structure: modules, grids and how a thing is put together. That shows up in everything I make, from a music video storyboard to a conference identity that has to work on a teaser, a stage screen, a presentation and a LinkedIn banner at once.

I work with musicians, organisations and product teams — from a single animated film to a full visual system. When a project needs to go all the way to a live site or a running campaign, I can take it there too.

Galia Vaisman
JDC IsraelTreetoscopeHanna OakninBoo ProjectMySpheraOld Jaffa

Capabilities

Illustration and 2D animation
Motion design and brand systems
Web design and build

Drawings

oil, ink and mixed media
Oil painting in greys: elongated figures with glowing heads inside a tall cathedral-like structurePainting: angular figures among bare trees, faces drawn in sharp black linesOil painting: a seated man in a fragmented, cubist interior, a small red detail at his handsOil painting: a profile figure wrapped in curving arches and broken planesMixed media: a crumbling block of buildings floating on a boat, washed in grey and acid yellowInk drawing: a hedgehog made of dense, sharp strokesInk drawing: an insect-like creature stretched along a branchInk drawing: a closed, heart-like organic form with a hook at its centreLine drawing: a symmetrical anatomical form in fine grey linesPainting: a head filled with a city of vertical lines, dripping downwardPainting: a narrow corridor of black-and-white stripes with a small figure on the wallPainting: a tree-like figure rising between dark vertical marks, roots spreading along the groundInk painting: a dense grid of cranes, pylons and hanging formsInk painting: machine parts, pipes and circular gauges branching like a plantWatercolour and ink: a long-faced figure behind vertical stripes, touched with redWatercolour and ink: a horse's head with drooping eyes, framed by vertical bars